35: Dan Forte – Bonus Track

But wait, there’s more. At 3 1/2 hours podcast 34 was hardly short. Don’t even ask how we left this out of that podcast but we did, we found it and now you can listen to even more of Dan’s stories. Included in this podcast are his stories of interviewing George Harrison and more about his father’s record collection and Tommy Tedesco. We think it will be many moons before Dan’s record for length of podcast and number of entertaining stories is equaled. Enjoy.

34: Dan Forte

Dan Forte’s musical journey was blessed from the start: Family– father who loved Django Reinhardt, Location- the S.F. Bay Area, Timing- the 60s. Throw in talent, humor, taste and skill for a can’t miss mixture. Dan took full advantage of S.F.’s 60’s- 70’s scene where live music was everything.  While getting his BA at Stanford, he taught an accredited “History of the Blues”class, put on concerts and wrote about music for the university‘s newspaper. Journalism followed, where he helped Guitar Player Magazine rise to the top. 

Eventually Senior Associate Editor at GP, Dan also introduced the mysterious but always humorous Teisco Del Rey who has brought to light some of the weirdest guitars ever, and received the prestigious ASCAP/Deems Taylor Award for excellence in music journalism. After relocating to Austin, he released 2 instrumental-rock albums, “The Many Moods of Teisco Del Rey” (1992) and “Teisco Del Rey Plays Music for Lovers” (1996). As Teisco he maintains an inspiring if sporadic concert schedule.

Dan has interviewed a veritable encyclopedia of guitarists. We await the book that must be forthcoming. For more than a decade, he has called Vintage Guitar Magazine home base. His cover story on Mike Bloomfield is as good as it gets. His VG reviews are always spot on as well. 

In this extensive podcast Dan holds nothing back. It’s a joyful ride where he shares his lifetime pursuit and love of music. 

Dan and Albert King Hayward California 1970

Dan and James Jamerson in L.A. 1977 with the Precision Bass that changed music

From his position at Guitar Player Magazine during the 80’s Dan interviewed many of the greats. It helped that he knew who the greats were. Here he is having too much fun interviewing Duane Eddy

© Deed Eddy

Teisco Del Rey, Dan’s nom de guitar makes the scene at a late 80s NYC guitar show

This guitar followed him home. He kept it for awhile

The Many Moods of Teiseco Del Rey

No Sophomore Slump for Teisco

Gary Smith on Harp with Dan on guitar. Check Gary’s harp on Southbay Beatdown on the Spotify playlist for SLN #34

33: The John Sally Ride

Do yourself a favor. Listen to this podcast and get captivated by the musical camaraderie that swirls between John Dunbar lead singer and songwrtiter (A Confederacy of Dunces, The Kunks), Sal Maida, bassist (Roxy Music, Sparks, Milk N Cookies) and Sal Nunziato, drummer (Pep In The Cat, The Cool Jerks). The musical references come fast and furious like they probably did in the studio when they recorded their hook fueled new C D “Nothing Doing” a follow up to their first CD , “A New Set of Downs”. The 3 New Yorkers were kind enough to share their experiences and enthusiasm for this podcast. These guys know their craft and are having a good time practicing it. A great ride for sure.

Bandcamp link for The John Sally Ride: https://thejohnsallyride.bandcamp.com/album/nothing-doing

“I Love you Minnie More” John Dunbar’s song inspired by John Cassavetes 1971 film “Minnie and Moskovitz” Re-edited by Derek Davidson.

Sal Maida’s book . A rock and Roll life

Link for Burning Wood, Sal Nunziato’s excellent music blog: www.burnwoodtonite.blogspot.com

32: Ian S. Port

Ian S. Port author “The Birth of Loud”
Ian S. Port’s book “The Birth Of Loud” tells a well researched story of the birth of the electric guitar and it’s impact on popular music and our culture. It’s a refreshing read where Ian looks into corners seldom searched and gives some well deserving figures their time in the light. His literary device of a rivalry between Les Paul and Leo Fender frames the story well but more accurately describes the marketing and cultural forces that both figures were operating in. Leo and Les are throughly depicted as the unique Americans that they were who’s influence still resonates today. It does not matter if you are a musician or someone with an interest in popular music “The Birth of Loud’ will be a delightful read and add to your enjoyment of this music.

This video features The California Playboys, the first California teen age band that played Fender instruments. Leo Fender was certainly a fan of Western Swing.

L to R: George Fullerton, Les Paul, Chet Atkins and Leo Fender

Les Paul at home in Mahway with his original 8 track recorder early 80’s

His house was insane. Equipment was everywhere.

Les was still using a 4X4 block strung with guitar strings to test pickups. Why not?

We gathered a few guitars and shot them on his bed.

Here’s Les performing at that time with the “Paulverizor” mounted on his guitar

Les, ever the tinkerer was his own “roadie” at this show.

Robb Lawrence along with others is thanked by Ian in the acknowledgements. Here Robb is seen showing one of his prototype guitars to Leo Fender at a NAMM Show in the early 80s

31: Guy Story

Welcome to Storytown a C D to be released this month. 12 original songs all composed by Guy Story and performed by his band Storytown which is comprised of Guy on all Vocals and Guitar, Tony Cruz-Drums, Percussion, Charlie Roth-Keyboards, Rick Wagner-Bass with guest artist Jim Corter Upright Bass (Sad), Fawzia Afzal-Khan-Vocal (Broken Promise Land). In podcast #31 Guy speaks freely about the stories behind some of the songs as well as the experience of recording them and producing the C D project as a whole. A fascinating story and an extremely likable Guy (pun intended)

Launch event for “Welcome to Storytown” Thursday Jan 17th 6:30 P.M. CAVEAT 21A Clinton St. NYC advance tickets $15.00, at the door $20.00.

Free app for augmented reality. Walk amongst the band on you phone while they play.

IOS: https://itunes.apple.com/us/app/storytown-ar-companion/id1410280692?mt=8

Google:https://play.google.com/store/apps/details?id=com.storytownband.storytownar

April 2017 Rockwood NYC Storytown first live gig.

April 2017 Rockwood NYC First live gig Storytown

30: Dick Boak

It’s a bit difficult to describe Dick Boak without resorting to cliches; renaissance man, gentleman and a scholar etc. I could keep stringing them on because in Dick’s case the descriptions apply. For 42 years Dick was employed by the C. F. Martin Guitar Company where he used his considerable skills as artist, musician, woodworker, draftsman, luthier, public relations maven and art director. His 1976 hiring at Martin perfectly coincided with the vintage guitar phenomenon. Dick and Chris Martin IV, CEO and chairman, are recognized as returning the company to its former stature and bringing it to a new prominence. Dick  established the artist relations department where they produced the highly sought after signature edition guitars with  artists Eric Clapton, Paul Simon, Joan Baez, Johnny Cash, Willie Nelson, CSNY, Mark Knopfler, Marty Stuart and others. In this case “every guitar tells a story” so settle in for a great podcast where he tells personal tales and music anecdotes and his all to rare story of a talent flowering in a corporate environment. Of course, his talents and lively sensibility weren’t left behind at Martin. We look forward to what he gets up to in the next chapter of his amazing journey. But for now enjoy this podcast filled with his extremely interesting stories thus far.

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Here is Gene Autry in about 1934 with a Martin OM-45 with his name in script on the fretboard

©Autry Museum of Western Heratige
Chris Martin IV saw Autrys original 1933 D-45 at an event at the Autry Museum of Western Heritage. An Appeal to the Museum to authorize an authentic replica Autry’s D-45 was approved with the stipulation that the profits go to charity. The success of this project set a precedent for approved signature edition guitars with proceeds going to charity. With the success of Eric Clapton’s “Unplugged” album where Eric played a 1939 OOO-42, Dick Boak was allowed to approach Eric about a signature model.
© C.F.Martin & Co.


Dick had to find a meaningful number to apply to the signature Clapton guitars . Clapton’s “comeback” album 461 Ocean Blvd. provided the answer. With legendary producer Tom Dowd in Miami’s Criteria studios Eric produced a great LP with the lead off single “I shot the Sheriff” The signature Clapton model sold all 416 within minutes. The LP sold a few more.

Dick had to find a meaningful number to limit apply to the  signature Clapton guitars . Clapton's "comeback" album 461 Ocean Blvd. provided the answer. With legendary producer Tom Dowd in  Miami's Criteria studios Eric produced a great LP with the lead off single "I shot the Sherrif" The signature Clapton model sold all 416 within miutesThe Lp sold a few more.

Mention must be made of pioneering vintage guitar dealers Stan Jay and Hap Kuffner, The Mandolin Brothers. Here photographed in Nazareth in 1976 with the first of their special Mandolin Bros D-45s and the Martin department managers who built it. Today Hap has this to say about this very special model: “Historically speaking it started the C.F. Martin custom shop.  Until then no Grained Ivoroid Binding, Pre War Scalloped Braces, Aged Toner Finish, Tortoise Shell Colored Headstock Overlay, Vintage Style Tuners, Squared Headstock, and custom Label. 91 were to be made but only about 50 were completed.  A Great Martin D45 Guitar!”

Dick Boak Has kindly identDick Boak Has kindly identified the everyone: Back Row, left to right: Phil Moll (Body Assembly), Helmut Herrmann (Finishing), Stan Jay & Hap Kuffner (Mandolin Bros.), John Dusinski (VP Manufacturing). Middle Row left to right: Remi Bartholomew & Les Wagner (Repair Dept), Ellsworth Bush (Pre-Finish), Carl Miksch (Machine Room). Front Row left to right: Earl Remely (Plant Manager), Marcellus Trach (Production Scheduling), John Arndt (Quality Control).ified the everyone: Back Row, left to right: Phil Moll (Body Assembly), Helmut Herrmann (Finishing), Stan Jay & Hap Kuffner (Mandolin Bros.), John Dusinski (VP Manufacturing). Middle Row left to right: Remi Bartholomew & Les Wagner (Repair Dept), Ellsworth Bush (Pre-Finish), Carl Miksch (Machine Room). Front Row left to right: Earl Remely (Plant Manager), Marcellus Trach (Production Scheduling), John Arndt (Quality Control).
Dick Boak Has kindly identified everyone: Back Row, left to right: Phil Moll (Body Assembly), Helmut Herrmann (Finishing), Stan Jay & Hap Kuffner (Mandolin Bros.), John Dusinski (VP Manufacturing). Middle Row left to right: Remi Bartholomew & Les Wagner (Repair Dept), Ellsworth Bush (Pre-Finish), Carl Miksch (Machine Room). Front Row left to right: Earl Remely (Plant Manager), Marcellus Trach (Production Scheduling), John Arndt (Quality Control).ified the everyone: Back Row, left to right: Phil Moll (Body Assembly), Helmut Herrmann (Finishing), Stan Jay & Hap Kuffner (Mandolin Bros.), John Dusinski (VP Manufacturing). Middle Row left to right: Remi Bartholomew & Les Wagner (Repair Dept), Ellsworth Bush (Pre-Finish), Carl Miksch (Machine Room). Front Row left to right: Earl Remely (Plant Manager), Marcellus Trach (Production Scheduling), John Arndt (Quality Control).
Willard “Buddy” Silvias, Ellsworth Bush (foreman, Neck Shaping), C. F. Martin III.
Body Assembly – I believe this is Harry Stetler
Elaine Dillard, Binding
Ester Hahn Trahanov, Pearl Inlay


Ralph Miller, Bracing


We can not leave the Martin factory at this point in time without paying homage to Mike Longworth, seen below.

The Kingston Trio’s importance to American popular music can not be overstated. It’s fair to say that The C.F. Martin Guitar Company would not be the same today without their influence.

The Folk Revival was a more authentic strain of popular music that followed. Here on the cover of “Sing Out” the folkies bible are the New Lost City Ramblers, L-R John Cohen, Tom Paley and Mike Seeger. Photographed by © Robert Frank

Joan Baez is another folk music performer that has always chosen to play Martin Guitars. Generally choosing vintage O or OO 40s . Of course Dick collaborated with her on a signature model.

© William Claxton
© William Claxton

Here’s Joan as photographed by Jim Marshall for a 1969 brochure put out by Folklore Productions (Manuel Greenhill her manager)

©Jim Marshall

Without a doubt the coolest place to be in 1968 was Laurel Canyon at Joni Mitchell’s with a few Martins laying around so David Crosby and Eric Clapton could join in if they knew which tuning she was using.

Without a doubt the coolest place to be in 1968 was Laurel Canyon preferably at Joni Mithell's with a few Martins laying around so David Crosby and Eric Clapton could join in provided they knew which tuning she was using.

© Henery Diltz

There are several books on Martins history. Dick’s 2 volume set is one of the best.

Nov. 7, 2008 C.F. Martin celebrates it’s 175th anniversary in NYC.

Dick and Chris Martin IV in period attire at the plaque dedication denoting the location of C.F. Martin’s first location NYC 1833
Mr Boak whips the crowd into a frenzy
Steve Miller and G. E. Smith entertain the guest with some guitars they found laying around.

Steve Earle lived dangerously close to Matt Umanov’s guitar shop. Steve and Matt practically ate Martins for breakfast most days.
This exchange of Martin knowledge resulted in the Steve Earl Martin with an emphasis on practicality.

29: Dick Boak Exhibition

Dick Boak best known for his work with The C. F. Martin Guitar Co. has another side. Dick is an established artist and illustrator with an exhibition Nov. 17-Dec. 8th. daily 3-9 P.M. located in Matt Umanov’s guitar shop 273 Bleecker St Greenwich Village in New York city. Dick’s original pen and ink drawings are on display as well as some images as prints. 7 of Dick’s custom guitars and basses are on display. Also on display are paintings by Tullio Desantis.

Boak_Bleecker

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28: Alan Rogan

Alan Rogan Has consulted on, found, set up, tuned and looked after the guitars of some the the most demanding guitarist of the last 40 years. You’ll know who he is talking about when he uses the names: Pete, George, Keith, Mick, Eric, Ronnie, Jeff and others. From his relaxed, gentlemanly and informed conversation it is obvious why he’s lasted so long in such demanding situations. It is an honor to sit across the table from him in London 10/19 for this podcast.

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Here’s one of the Telecasters that Alan set up for Keith .

jpeden181116_chord?
Keith sits_B&W

Keith”s use of multiple Fender “Tweed” Twins for live performances is well known.  In 1986 Alan Rogan borrowed this Fender Pro amplifier model 5E5 for Keith to use for the “Dirty Work” sessions. Apparently he liked the sound. Alan enlisted amp guru Cesar Diaz to bring several “Tweed” Twins into spec. The rest is history.

Pro_5E5_rear

Here is Keith Moon and The Who at the Fillmore in San Francisco in the late 60s a bit before Alan started to work for them.

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jpeden181115_High kick
jpeden181115_Daltrey
pete Townsend  of The Who

November 1981 The Stones at Madison Sq. Garden touring to support Tattoo You . Probably just before Alan started to work for them. Note Ronnie Wood is playing the blond Stratocaster.

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Here is the full line up of principals for that tour with Bobby Keys on sax and Ian Stewart (the 6th Stone) on keys and left of him Ian McLagan also on piano

jpeden181116_Dirty work 2

R S MSG 1

Hard to believe but Alan tells of George Harrison asking him to find a Carvin guitar for him. Carvin? Well here’s their 1962 catalogue. I’m sure they are serviceable but they appear to be about one level above shop class build.

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in this podcast we discuss our mutual like for the Fender Jazzmaster and discuss “The Jazzmaster that never was” made by Fender’s custom shop for G. E. Smith.

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A great read from a friend of Alan’s. You won’t put this one down.

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27: Jimmy Vivino

Jimmy Vivino is the complete musician, guitarist, keyboard player, composer, arranger, and producer with a deep appreciation for the musical path we are all on. Mr Vivino is well known for a variety of gigs. His collaborations with legendary blues and rock luminaries are simply to lengthy to list. For years he has been a member of The Fab Faux (the ultimate Beatles re-creation band) with Will Lee, Rich Pagano, Jack Petruzzelli and Frank Angello. He currently resides in Los Angeles but was involved with the vibrant east coast scene around Woodstock, N Y working with John Sebastion and crew on several Jug band projects and the much celebrated “Midnight Rambles” sessions hosted by Levon Helm while he was still with us but still carrying on today. Clear some time to enjoy this podcast featuring Jimmy’s stories all of which reflect his deep appreciation and love of musicians and all thing musical. A raconteur of the first order.

master portrait-1

The Fab Faux is the ultimate Beatles re-creation Band.

Here they are early on at NYC’s The Bitter End kind of like their Cavern Days.

fab faux at bitter end
FAB-FAUX-4_9-10_02.flyer

Here are some photos of the band at NYC’s Bowery Ballroom April 2002 early in their run. As you can tell they were serious about this right out of the box.

Jimmy of course on a Rickenbacker
jpeden020514_Jimmy & little Ricky
L-R Jack, Frank, Will and Jimmy
jpeden020515_Jack Will & Jimmy come on
L-R Will-Jimmy
jpeden020515_Will & Hofner on left_
The Hogshead Horns 
jpeden020514_Hogshead horns_
Rich Pagano on drums
jpeden020514_Rich & Will_
Jimmy with his “The Fool” SG for “While my guitar gently weeps” Even the back is correct.
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Jimmy’s back 
Vivano's back

Jimmy’s work with Johnny Johnson brought him close to Chuck Berry who’s influence on American music can not be overstated. Here’s Chuck at San Francisco’s Fillmore in the late 60’s

Chuck Berry at the Filmore late 60s

Before moving to Los Angeles where he now lives, Jimmy was involved with the music scene in Woodstock, N Y. He worked with John Sebastion on several Jug band projects.

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Although Levon is no longer with us his barn “Music Rambles” continue. Jimmy was a big part of their success. He also appears on the C D “Electric Dirt” .

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Jimmy refers to a photo shoot where I shot his early head shots. It took a bit of digging but I found them. He’s always looked cool.

Jimmy Vivino

26: Songbirds Guitar Museum

The Songbirds Guitar Museum has been open in Chattanooga, Tennessee. for a little more than a year now. If you are a vintage guitar geek then you probably already have heard about it. Terry Foster (SLN #11) and I paid a visit to examine a recent addition to the museum’s collection, Fender Spanish guitar #0075 . In this podcast we discuss the Museum’s creation and mission with it’s chief curator David Davidson. Songbirds has done it right, a beautifully repurposed industrial space (the old Chattanooga Choo  Choo Station) houses a mind boggling collection of vintage guitars. Do not listen to this podcast if you can’t book a trip to Chattanooga . __000338

David Davidson has been in charge of assembling the stunning collection of important guitars for the last 20 years. Thanks to David the time and money have been well spent.

David Davidson

I don’t think Gibson has a collection of custom colored Firebirds to rival these__000359

Of course Fender produced a few custom colored guitars as well. Here are a few examples but the really rare colored Fenders are in “The Vault” easily accessible.__000376

Don’t worry acoustics are well represented. Loyd Loar signed the tags inside these master Gibsons all on the same day.

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This is the small performance stage used for local songwriter’s night. I told you they do it right. The mixing board for this venue rivals some recording studios I’ve been in. There is a lager stage downstairs for national acts.

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Each display case at Songbirds is themed for maximum impact from side by side comparison.

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The 2nd half of the podcast Terry and I discuss Fender #0075 with David. Terry believes it’s the most important Fender discovered for the last 20 years.

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Here is Leo Fender’s first published image of his Spainish guitar and it’s description in the 1950 Fender catalogue.

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3 guys having too much fun at Songbirds.

L-R: Peden, Foster and Davidson

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